OSSICLE DUO ALBUM LAUNCH
Oct
6
2:00 pm14:00

OSSICLE DUO ALBUM LAUNCH


We are thrilled to launch our first album titled Lunar Apatite!

JOLTED ARTS SPACE - Sunday 6th October

Doors at 2pm for a 2.30 start.

TICKETS: $15 / $10 (conc.) at the door or click the button below.

ACTS:
OSSICLE DUO

OLLIE COX + ZELA PAPAGEORGIOU

Join Melbourne’s most coffee-obsessed trombone and percussion duo as they host a Sunday afternoon album launch with music, drinks, conversation, and chill vibes.

The duo curated and recorded a series of improvised sound events in 2021 at Newmarket Studios with luminary artists Callum G’Froerer, Tilman Robinson, Eliza Shephard, Louise Devenish, Zela Papageorgiou, James McLean and Alistair McLean. The album showcases a continuation of their exploratory improvisation series that started (and ended) in 2020 at the Espy Hotel in St. Kilda.

The album launch features support from Ollie Cox and Zela Papageorgiou, a set of sounds from Ossicle, and special guests for a final jam.

Spontaneous, raw, visceral and electric.

SUPPORTED BY

Ossicle Duo would like to thank the City of Port Phillip for supporting the costs of producing the album through the Creative Development Fund.

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CUT PASTE PLAY 2024
Mar
23
to 24 Mar

CUT PASTE PLAY 2024

CUT PASTE PLAY is an extraordinary gathering for all kinds of curious listeners and creative musicians to come together at Church Street Studios, on Gadigal land, Eora (Sydney, Australia). This energetic, two-day festival features an excitingly eclectic lineup of musicians and artists from across Australia and abroad, hosted by the music box project.

Ossicle Duo will perform ‘Dandenong Songs’ on Sunday 24 March, in their first ever Sydney performance!

Ossicle Duo visited an AirBnB in the Dandenongs in January to consolidate their improvisational practice. Since their formation in 2018 they have regularly performed notated works, alongside developing their improvisational process as a duo and with special guests.

Dandenong Songs sees the duo develop a series of sound worlds that reflect on and extend areas of practice based on their musical history together. You can expect switching, clacking, scraping, rustling, buzzing, spinning, resonating, and sparkling as Ossicle make their way through a 45 minute demonstration of the unique potential of this instrumental combination.

Join us for a joyful weekend packed full of ears-on performances and hands-on experiences including: 13 CONCERTS - playful, collaborative and exploratory performances & 10 INTERLUDES - interactive experiences ranging from artist talks, DIY compositions to guided sound walks.

buy tickets

Festival Passes are now on sale! All passes are available in three self-selecting tiers: concession/hardship, general, and supporter.

Purchase a Stereo Pass ($60/$85/$100) for access to all events across our two day festival.

The Mono Pass ($40/$55/$70) provides you with access to a single day of events on either the Saturday or Sunday.

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Displaced Bodies
Dec
6
6:00 pm18:00

Displaced Bodies

Sonic Frontiers, stunning projections, chamber music and unconventional instruments.

Experience sonic innovation as Displaced Bodies unites two of Melbourne’s cutting-edge ensembles. Ossicle Duo, an award-winning trombone-percussion ensemble, pushes boundaries with their technically refined and high-energy exploratory art music. Rubiks Collective, a dynamic ensemble of Australia’s most versatile young performers, take audiences on a sonic journey through their ‘incredibly personal, strangely spiritual and ultimately deeply touching’ performances. Together, they fearlessly explore the boundaries of sound in the highly anticipated world premiere of Jakob Bragg’s acclaimed composition, ‘Displaced Bodies, Weapons of Action,’ a recipient of the prestigious Melbourne Recital Centre & Melbourne Conservatorium of Music Composition Award.cert

Journey into unknown sonic territory with Richard Barrett’s mesmerising opus, ‘EARTH,’ a gritty and ritualistic masterpiece. Experience Annie Hsieh’s ‘Quietude’ as it emerges into a delicate and textural composition performed entirely on wine glasses by two percussionists. Immerse yourself in the haunting echoes of Noemi Liba’s ‘CardioMyopathy,’ a powerful work that delves into the depths of the human condition. Witness projections, chamber music, and unconventional instruments transform the Primrose Potter Salon into a kaleidoscope of sonic innovation.

Please note, this concert contains sensitive digital content (nudity, references to terminal illness and cardiac disease) and it may not be suitable for all audiences.

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Ossicle Duo - Unshrouded Metals
Aug
1
6:00 pm18:00

Ossicle Duo - Unshrouded Metals

What is seen? What is covered? What is hidden? What is heard?

Experimental adventurers Ossicle Duo explore both physical and metaphorical shrouding. When something is covered, or obscured, how does that change the way we hear it? Or see it? Or understand its meaning?

About the concert

Immerse yourself in conversational duo textures, unexpected combinations of instruments, blistering hockets and fragmented soundworlds.

Witness innovative instrumentation, including the world’s only double-bell bass trombone, and a host of multi-percussion setups and electronic tracks will challenge and delight.

Join Ossicle Duo as they journey into expanded sound worlds charting the evolution of exploratory trombone and percussion repertoire.

Program:
James Gardner
unshrouded metals

Liza Lim
An Elemental Thing

Damien Ricketson
Hectic Thyme

Liza Lim
The Green Lion Eats the Sun

Leilei Tian
From Amen to Amen

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COVID Safety

Melbourne Recital Centre is committed to the safety of our artists, staff and patrons. A range of public health, hygiene and physical distancing measures are currently in place. Click here to learn more.

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pathways-faultlines-fractures
Oct
24
6:00 pm18:00

pathways-faultlines-fractures

The duo’s performance in Primrose Potter Salon will undoubtedly push the envelope, teaming up with local composer and boundary dissolver K. Travers Eira. The collaboration will see them create a map detailing nodes and networks for the duo to follow, projected onto the walls of Primrose Potter Salon. 

Join Ossicle Duo in forging an aural path. A sonic exploration that celebrates the poetics of play and possibility.

Click here to book now!

Image by Darren Gill

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The Fifth Season
Jun
30
6:00 pm18:00

The Fifth Season

With a program of groundbreaking premieres by composers from Australia and New Zealand, the duo starts with Liam Flenady’s The Five Seasons, a thrilling and disorientating musical dystopia, forecasting a world in ecological crisis. 

Finishing with Jaslyn Robertson’s Cut It, the duo plunges the into a granular electroacoustic noise world, drawing on her own experiences of censorship in the arts as a non-male composer.

Click here to book tickets now.

We’re thrilled to be returning to the Melbourne Recital Centre in 2022 as a part of the Local Heroes series.

The Five Seasons was commissioned by the APRA Art Music Fund
Cut It was commissioned with support from Creative Victoria and City of Melbourne

Image by Darren Gill Photography

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The Fifth Season
Apr
7
6:00 pm18:00

The Fifth Season

With a program of groundbreaking premieres by composers from the Trans-Tasman bubble, the duo stars with Liam Flenady’s The Five Seasons, a thrilling and disorientating musical dystopia, forecasting a world in ecological crisis. 

Finishing with Jaslyn Robertson’s Cut It, the duo plunges the into a granular electroacoustic noise world, drawing on her own experiences of censorship in the arts as a non-male composer.

Click here to book tickets!

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Mar
27
6:00 pm18:00

from these old skins - rescheduled!

Ossicle Duo delivers raw, high-energy performances with compelling precision. 

An exciting partnership between trombonist Benjamin Anderson and percussionist Hamish Upton, the Duo explores the great repertoire that exists for this combination, ranging from post minimalism to the avant-garde. 

Ossicle Duo delves into music that questions the nature of individuality. Distorted trumpet and trombone join expansive drums and live electronics in Ubiitsi, a study of journalistic freedom in dystopian states. Heather Stebbins evokes electronic sounds in her acoustic work from these old skins for frame drum and trombone. Electronics give an otherworldly feel to Richard Barrett’s CODEX III, a structured improvisation exploring density, articulation and the individual versus the collective. And a new commission for Ossicle Duo by emerging Melbourne-based composer Matthew Laing examines identity and place, using pre-recorded electronics to express the majesty of the universe. 

Ranging from the intimate to the expansive, these thrilling contemporary works take us to the frontiers of human experience. 

Presented by Melbourne Recital Centre and Ossicle Duo

Click here to book now!

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Jun
29
7:00 pm19:00

The Espy Underground Sessions - #6 with Louise Devenish

Expect some weird and wonderful sounds emanating from The Hotel Esplanade Basement this year, thanks to experimental new music specialists, Ossicle Duo. 

Ossicle Duo (trombonist Benjamin Anderson and percussionist Hamish Upton) are all about the exploration and extension of sound. Based in Melbourne, the Duo have been celebrated for their performances of contemporary art music, winning the Melbourne Recital Centre’s Contemporary Masters Award in July 2019.

In the series, Ossicle Duo invite local and international guest musicians to join them for an experimental improv jam in the basement of the Hotel Esplanade. Together they’ll explore radical noise production, extended playing techniques, and the strange and intimate connection between some bizarre instrument combinations.

The guest for this Espy Underground Session is Louise Devenish.
Louise Devenish is a contemporary percussionist whose creative practice blends performance, collaboration and artistic research. A passionate advocate of new music and Australian music, Louise has commissioned over 50 works for percussion, and her performances are acknowledged for their ‘dazzling vitality’, ‘stunning virtuosity’, ‘interpretive flair and technical brilliance’. Louise is a core artist with acclaimed electroacoustic sextet Decibel (WA), and percussion-piano-bass clarinet trio Intercurrent. She is currently Senior Research Fellow at Monash University, where she is also Percussion Coordinator.

Ossicle Duo are thrilled to be joined by Louise in one of her first musical outings since moving to Melbourne. Fun fact - Louise was an assessor of Hamish’s Masters Thesis!

What to expect in this performance?
Metal objects abound, when tuneful percussion meets lyrical trombone. Vibraphone and steel pan drumform hypnotic loops, while cymbals and gongs provide a shimmering wash. Muted trombone sings across this luscious bed of sound. There is a heavy metal pun to be made - but we don’t want to go there.

TIME: 7PM
WHERE: The Basement, Hotel Esplanade
COST: Free

The Espy Underground Sessions would not be possible without the support of the City of Port Phillip through the Cultural Development Fund and Hotel Esplanade through the Arts Program.

To find out more about what is coming up in the Espy Arts Program visit https://hotelesplanade.com.au/arts-program/

We acknowledge the lands on which we present this work are the lands of the Yaluk-ut Weelam people of the Kulin Nations. We pay our respects to their elders, past, present and future.

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May
18
7:00 pm19:00

The Espy Underground Sessions - # 5 with Tilman Robinson and Callum G'Froerer

Expect some weird and wonderful sounds emanating from Hotel Esplanade Basement this year, thanks to experimental new music specialists, Ossicle Duo.

Ossicle Duo (trombonist Benjamin Anderson and percussionist Hamish Upton) are all about the exploration and extension of sound. Based in Melbourne, the Duo have been celebrated for their performances of contemporary art music, winning the Melbourne Recital Centre’s Contemporary Masters Award in July 2019.

In the series, Ossicle Duo invite local and international guest musicians to join them for an experimental improv jam in the basement of  Hotel Esplanade. Together they’ll explore radical noise production, extended playing techniques, and the strange and intimate connection between some bizarre instrument combinations.

The guests for this Espy Underground Session are Callum G'Froerer and Tilman Robinson.
Callum G’Froerer is an Australian trumpet player active in various improvised and notated musical settings. He has performed in the USA, Italy, UK, Japan, Portugal, Denmark, Norway, Turkey, Taiwan, Germany, and Singapore, and regularly premieres new works by leading international composers. In 2019 he presented The Sculpted Trumpet, an internationally-touring recital of new electro-acoustic works for double-bell trumpet.

He is an active improviser, having released the quintet album ‘City Speaks’ in 2013 on the Listen/Hear Collective label; his quartet album ‘Space Available’, released was released independently in 2015. In 2020 he will release his second quartet album on the Earshift label. He plays in bass/piano/trumpet trio DRUM with Andy Butler and Jonathan Heilbron; and improvising ensemble Phonetic Orchestra.

Tilman Robinson is an Australian composer, producer and sound designer based in Melbourne. He creates electro-acoustic music across a range of genres including classical minimalism, improvised, experimental, electronic and ambient music. Academy trained in the fields of both classical and jazz composition, Tilman’s diverse output focuses on the psychological impact of sound.

“...a colossal cinematic marvel.” Headphone Commute on Deer Heart

“addictive” – Sunday Times, London on Deer Heart

"Tilman mesmerised an audience ... with music that was at once soothing and avant-garde, but never anything other than warmly human" Alex Needham (The Guardian).

Ossicle Duo have individually collaborated with both Tilman and Callum, but have never had the opportunity to work with them together. Both Callum and Tilman perform in a wide variety of experimental collaborative settings.

What to expect in this performance?
Mutated brass instruments meet resonating porcelain, with immersive electronic sound. Ceramic bowls, wine glasses, and other repurposed objects are struck, bowed and scraped to create a textural atmosphere. The mesmerising softer side of the brass section is electronically expanded to envelop the audience.

TIME: 7PM
WHERE: Basement, Hotel Esplanade
COST: Free

The Espy Underground Sessions would not be possible without the support of the City of Port Phillip through the Cultural Development Fund and Hotel Esplanade through the Arts Program.

To find out more about what is coming up in the Espy Arts Program visit https://hotelesplanade.com.au/arts-program/

We acknowledge the lands on which we present this work are the lands of the Yaluk-ut Weelam people of the Kulin Nations. We pay our respects to their elders, past, present and future.

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Apr
21
6:00 pm18:00

Praxeology with Rubiks Collective

Two of Melbourne’s most vibrant chamber music ensembles, Rubiks Collective and Ossicle Duo, unite to explore the logic behind human action. 

Donnacha Dennehy’s Mild, Medium-Lasting, Artificial Happiness veers between whimsical and sarcastic unisons, Panayiotis Kokoras’s Study on Phonetics juxtaposes metallic jolts and whispered bowings, and two percussionists examine a tinkling pallet of delicate glass objects in Annie Hsieh’s Quietude

The concert culminates in the world premiere of a new work for the virtuosic forces of these combined ensembles by rising Australian composer Jakob Bragg, recipient of the 2020 University of Melbourne Commission Award.

Presented by Melbourne Recital Centre and Rubiks Collective and Ossicle Duo

Click here to book now!

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Apr
6
7:00 pm19:00

The Espy Underground Sessions - #4 with James and Alistair McLean

Expect some weird and wonderful sounds emanating from The Hotel Esplanade Basement this year, thanks to experimental new music specialists, Ossicle Duo. 

Ossicle Duo (trombonist Benjamin Anderson and percussionist Hamish Upton) are all about the exploration and extension of sound. Based in Melbourne, the Duo have been celebrated for their performances of contemporary art music, winning the Melbourne Recital Centre’s Contemporary Masters Award in July 2019.

In the series, Ossicle Duo invite local and international guest musicians to join them for an experimental improv jam in the basement of the Hotel Esplanade. Together they’ll explore radical noise production, extended playing techniques, and the strange and intimate connection between some bizarre instrument combinations.

The guests for this Espy Underground Session are James and Alistair McLean - the McLean brothers!
James McLean is a drummer based in Melbourne, Australia working at the intersections of composed and improvised music. James’ practice sees him working equally as a solo artist, a bandleader, and a sideman in numerous ensembles.  In combination, he has established himself as a leading voice in Australian jazz and improvised music, as recognised by being awarded the 2016 Freedman Jazz Fellowship - becoming the first drummer to receive the award.

James has produced two solo drumset recordings as part of his PhD: Counter Clockwork (2015), and Oscillator (2018).

Alistair McLean is a guitarist, composer and producer committed to the creation of new and inventive works. He is the founder and director of the Australian Creative Music Ensemble, an improvising ensemble dedicated to the commissioning of new work. He has released a variety of recordings, including postShorthand of Sensation, and A Certain Kind of Now.

Alistair’s compositional practice is focused on explorations of rhythm and timbre, and his work has been exhibited as part of Melbourne Now at the National Gallery of Victoria, featured in flagship multi-disciplinary program Swell at Melbourne Music Week, and commissioned by the Arts Centre Melbourne for their Art Music Award winning 5x5x5 series.

Ossicle Duo is really excited for this collaboration, the McLean brothers are formidable musicians, and this is a rare opportunity to see them perform together. Ossicle Duo know both the brothers well, but this will be the first time all four have shared the same stage.

What to expect in this performance?

Blisteringly fast drum solos, chilled and lyrical guitar, plus a good old dose of trombone - what’s not to love? Rhythm and groove meets experimental and ethereal sounds. This is the jazz combo reinvented.

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Mar
2
7:00 pm19:00

The Espy Underground Sessions - #3 with Miranda Hill (Double Bass)

Expect some weird and wonderful sounds emanating from The Hotel Esplanade Basement this year, thanks to experimental new music specialists, Ossicle Duo. 

Ossicle Duo (trombonist Benjamin Anderson and percussionist Hamish Upton) are all about the exploration and extension of sound. Based in Melbourne, the Duo have been celebrated for their performances of contemporary art music, winning the Melbourne Recital Centre’s Contemporary Masters Award in July 2019.

In the series, Ossicle Duo invite local and international guest musicians to join them for an experimental improv jam in the basement of the Hotel Esplanade. Together they’ll explore radical noise production, extended playing techniques, and the strange and intimate connection between some bizarre instrument combinations.

The guest for this Espy Underground Session is Miranda Hill.
Miranda Hill is the creative force behind Homophonic, Melbourne’s annual new music performance celebrating queer composers. She is also the director of 3 Shades Black Ensemble, one of Melbourne's most innovative contemporary music ensembles, dedicated to experimental and improvisational classical music.

Her performance interests as a double bassist move from historically informed period performance through to improvisation, and she is passionate about bringing experimental musical concepts to a broader audience. Her work includes social justice themes and activism; through creating music for protests, to community music direction, and working with diverse members of our community. Basically she takes high-falutin’ artsy concepts and frames them so everyone can appreciate how awesome they are.

Ossicle Duo love playing with Miranda, they have both played in Homophonic several times, and Hamish and Miranda play together in the Bolt Ensemble.

What to expect in this performance?
Double bass, bass trombone, and a big ass bass drum. This performance will explore everything that rumbles, punches and groans in the bass end. Because everyone knows it’s all about that bass.

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from EARTH
Dec
11
7:30 pm19:30

from EARTH

In their Melbourne Conservatorium of Music debut, Ossicle Duo presents an eclectic program of contemporary music exploring rituals, identity and the Zodiac. The programs includes Richard Barrett's seminal trombone-percussion work EARTH, alongside music by Leilei Tian, Stockhausen, and more.

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The Espy Underground Sessions
Oct
30
7:00 pm19:00

The Espy Underground Sessions

Expect some weird and wonderful sounds emanating from The Hotel Esplanade Basement this year, thanks to experimental new music specialists, Ossicle Duo.

Ossicle Duo (trombonist Benjamin Anderson and percussionist Hamish Upton) are all about the exploration and extension of sound. Based in Melbourne, the Duo have been celebrated for their performances of contemporary art music, winning the Melbourne Recital Centre’s Contemporary Masters Award in July 2019. 

The duo are excited to work with some of the best new voices in composition and performance in 2019-2020, showcased in their Espy Underground Sessions Series.

In the series, Ossicle Duo invite local and international guest musicians to join them for an experimental improv jam in the basement of the Hotel Esplanade. Together they’ll explore radical noise production, extended playing techniques, and the strange and intimate connection between some bizarre instrument combinations. 

The guest for this second session is Pheobe Green, a violist with a keen interest in all things experimental. Pheobe has commissioned and premiered works from composers including James Rushford, Helen Gifford, Robert Davidson, Rae Howell, Wally Gunn and David Chisholm, and is a regular improvisor at Make it up Club and Elision at the Brunswick Green.

The Espy Underground Sessions would not be possible without the support of the City of Port Phillip through the Cultural Development Fund and the Hotel Esplanade through the Arts Program.

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Oct
15
6:00 pm18:00

Even the Blood Must Sleep

Hints of jazz, progressive rock and metal express the groove in contemporary art music. Harmony vies with discord, brutality with beauty, and normality with a chorus of ACME siren whistles. Saxophonist Ali Fyffe and pianist Alex Waite transform Ossicle Duo into a vibrant musical collective capable of unique and dazzling sound.

Tickets are now available at the Melbourne Recital Centre website

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May
14
6:00 pm18:00

The Art of Noises

Contemporary music and theatre mingle in an exploration of the work of German-Argentine composer Mauricio Kagel. An aging trombonist carries out strange assembly rituals. An eccentric percussionist conducts sonic experiments with the help of an occasionally unruly assistant. And San Diego composer Michelle Lou’s ‘untitled three-part construction’ offers a distinctive noise palette of vibrating mobile phones, spanners and mechanical switches.

Tickets are now available at the Melbourne Recital Centre website.

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Free Music in the Salon
Apr
1
12:00 pm12:00

Free Music in the Salon

Melbourne Recital Centre opens the doors of its intimate Salon on one day each month from March to December for FREE open rehearsals featuring the very best of Melbourne’s chamber musicians. 

On each selected day the artists will use this opportunity to rehearse new works, new programs and try out new ideas for you, in this informal open and free event.

Just turn up any time during the session – the doors will always be open, so you can come and go as you please. And you might get to hear your favorite artists, or someone completely new to you – you’ll only discover if you come along!

Ossicle Duo will take this opportunity to prepare repertoire for ‘The Art of Noises’ presented at the same venue on May 16th at 6pm

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Jul
3
6:00 pm18:00

In a Japanese Garden

For the first concert in its inaugural 2018 Salon series, Ossicle Duo presents a program of works inspired by the Japanese garden, or ‘Teien’.

Featuring cultivated forms, liquid transitions and meditative calm, this program explores the aesthetics of Japanese outdoor spaces, in works by Dai Fujikura, Kaija Saariaho and John Cage.

Click here to view the Melbourne Recital Centre booking page.

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